From left to right: Barry Beckerman, Robert Dalva, Walter Murch (wielding a pitchfork), Steve Wax (prominent in foreground), George Lucas (wearing a dark hat and sunglasses and partially hidden by a strip of film hanging from my pitchfork), Jim McBride, John Milius (with sombrero), Carroll Ballard (on ladder with camera), Francis Coppola (with zoetrope), Larry Sturhan, Denis Jakob (holding up the 1000 mm lens), Tim Huntley and John Korty (with camera) Jean-Paul Sartre (adapted by Walter Murch) 18: THE DANCING SHADOW From King to Queen I wrote the following essay in 1995 for Projections , a book-format periodical in which film-makers wrote about their work that was edited by John Boorman and Walter Donohue and published by Faber & Faber
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