That approach was appropriate for grand epics of brazen youth and sea-sprayed swagger like Rosalita (Come Out Tonight) and Thunder Road. But Springsteen shifted into another gear when he learned how to use negative space, whether it was the haunted void he howled into on his 1982 incantation Nebraska or the terse, sturdy couplets he whittled into the many perfect pop songs he released in the 1980s: Hungry Heart, Im on Fire, Dancing in the Dark, Tougher Than the Rest. Over time, his writing became economical in another sense
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Like all of Side 3, the de-discofied arrangements let Summers voice take the full spotlight
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