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The way I wrote it was: everyone stops, she walks across the room, her footsteps echo, but then I was like, we need more, we need to push it further, so Sean Bobbitt (cinematographer) and I did the double dolly and also used the cine-fade to shift the depth of field as the shot was happening. In acting that scene, Thompson adds, I knew that their history and magnetism needed to be expressed, this feeling of when someone enters a room, and they mutate time, they slow it down or speed it up. In moments, I couldnt really see Nina
Sure, he sometimes missed the face of a guy who nevertheless went flying from the phantom punch
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The point is in the small moments, the careful attention to detail and emotional resonance that Davidson is so good at in his short stories. Toronto Star Reading Davidson is a visceral experience: the language fractures and insinuates, sentences fragmenting and distorting as they reflect the movements of both the narratives and their characters. Quill & Quire PRAISE FOR CRAIG DAVIDSON Craig Davidson is one of this countrys great kinetic writers. Whats so fascinating about Davidsons fiction is its ambivalence: hes simultaneously satirizing and celebrating outsized manliness