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Shanghai (April 2–June 19
this book is a rare behind-the-scenes look at the work of one of film’s most visionary figures
and a questioning of the ethics and politics involved in the very acts of looking
and how is it possible to make a religious image
Interspersed among the images are texts that emerge like intimate signals from our age of crisis
Exteriors: Annie Ernaux and Photography Richard Mosse Shanghai (April 2–June 19Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I dont speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations. (Sitting opposite someone in the Mtro, I often ask myself, Why am I not that woman?) Annie Ernaux Exteriors: Annie
